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Zero Optik has worked on some truly rare lenses over the years, but these unicorns are almost always remarkable because of their extreme age or cost. This Zenitar 35mm f/1.0 is a completely modern piece of optical engineering, announced in 2018 as pa

Zero Optik’s Canon-based 10mm made its debut four years ago as one of the widest rectilinear primes available for full-frame cinematography. With even larger sensors becoming increasingly accessible to filmmakers, we are happy to announce that

There are few telephoto lenses more legendary than the Olympus 180mm f/2.0 from the original OM series. Featuring two floating optical groups and unparalleled image quality, it is a feat of engineering few other manufacturers of the era could even at

Fast stills telephotos have been a staple of cinematography virtually as long as they’ve been available to photographers, but those same lenses have only ever been useable through mount modifications and minor upgrades that still depend heavily

We have always believed that our products should be indistinguishable, in both quality and function, from any purpose-built cinema lenses on the market. We are therefore extremely proud to be offering a new subset of the @cookeoptics i/ Technology sy

Zero Optik first tackled the storied Minolta Rokkor 58mm f/1.2 several years ago due to popular demand, with one even making it into the kit @greigfraser_dp brought on Dune 2. It’s exciting to announce that we now offer the full range, from 17m

Zero Optik has had the honor to design and build some very special lenses over the years, but we are particularly proud that @the__asc entrusted us with a historic set from their own museum collection.

Pulled from the basement of the ASC clubhouse

REHOUSE

Leica M0.8/M – Modern

Leica M – Vintage

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